Always… Patsy Cline
Saturday 11 February
2.00 pm
Prices
All tickets $25.00
Musical theatre
Presented by Ipswich Civic Centre and HIT Productions
Created and originally directed by Ted Swindley – based on
a true story
Always… Patsy Cline is more than a tribute to the legendary country singer who died tragically at age 30 in a plane crash in 1963. The show is based on a true story about Cline’s friendship with a fan from Houston named Louise Seger, who befriended the star in a Texas honky-tonk in l961, and continued a correspondence with Cline until her death.
The musical play, complete with down home country humour, true emotion and even some audience participation, includes 27 of Patsy’ unforgettable hits such as Crazy, I Fall To Pieces, Sweet Dreams, and Walkin’ After Midnight. The show’s title was inspired by Cline’s letters to Seger, which were consistently signed Love ALWAYS…Patsy Cline.
Always…Patsy Cline has enjoyed great success all over the United States, including a successful run off-Broadway. It has been one of the most produced musicals in America according to American Theatre Magazine. Always…Patsy Cline has also been enjoyed internationally by audiences in Canada, the UK and Australia.
This new production directed by AFI award-winning Denny Lawrence stars award-winning Australian Country Music singing sensation Courtney Conway as Patsy Cline and popular stage star Mandi Lodge (Menopause The Musical, Just The Ticket) as Louise Seger.
Don’t miss this fantastic musical!
Want to know more? For everything you need to know about this fantastic show including artist details, video clips, soundtracks, and more CLICK HERE
GO TO SEE ALWAYS… PATSY CLINE TO HEAR THE MEMORABLE SONGS AND YOU’LL DISCOVER A HEARTFELT STORY THAT WILL LIFT YOUR SPIRITS (Chicago Critic)
FILLED WITH SO MANY WONDERFUL SONGS, SUCH AS CRAZY, WALKIN’ AFTER MIDNIGHT, YOUR CHEATIN’ HEART, YOU BELONG TO ME, TRUE LOVE, AND JUST A CLOSER WALK WITH THEE, THIS BIOGRAPHICAL MUSICAL REVUE OVERFLOWS WITH MEMORABLE MELODIES AND IS SIMPLY IRRESISTIBLE
(Chicago Theatre Review)